Ukhrul: HA Wungmeikhan, 27, from Hunphun village in Ukhrul District, Manipur, has received the Young Talented Artistes Award 2022-2023 from the North East Zone Cultural Centre (NEZCC) for his excellence in wood carving sculpture. The talented sculptor from Manipur, has distinguished himself through his dedication to preserving and innovating traditional crafts.
His journey from a challenging upbringing to academic and artistic success demonstrates his resilience and the vital support of his community.
Wungmeikhan, one of seven siblings raised by a single mother struggling to make ends meet, was introduced to the KPJ Prabhu Artisans Training Institute in Bangalore after completing his 10+2. Thanks to a scholarship that covered all expenses, he discovered his passion for sculpture and was able to develop his skills. There, he earned a Diploma in Wood and Stone Carving in 2017.
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Wungmeikhan’s dedication to his craft is evident in his academic journey. After completing his diploma, he pursued a Bachelor of Visual Arts (Sculpture) at Manipur University of Culture, graduating in 2024.
He is currently pursuing a Master of Fine Arts in Sculpture at Tripura University. His academic pursuits extend beyond practical skills; he is deeply invested and passionate in preserving traditional knowledge.
Wungmeikhan’s talent has been recognized through several awards and exhibitions. Notably, he was selected for the Young Talented Artistes Award Scheme for the year 2022-2023, a prestigious initiative by the Ministry of Culture, Government of India, implemented through Zonal Cultural Centres. This scheme, introduced in 2003-2004, aims to encourage and recognize young talents in folk arts across the age group of 18 to 30. Out of 125 applications received from artists across Arunachal Pradesh, Assam, Manipur, Mizoram, Nagaland, and Tripura, Wungmeikhan was one of 17 selected artists. This award, which includes a cash prize and certificate, underscores his standing in the field.
In addition, he has participated in workshops on tribal paintings and wood carving organized by the Tribal Research Institute Imphal. His achievements include securing second place in a handicrafts competition and receiving the Best Outstanding Work in Sculpture award at the Manipur University of Culture’s annual art exhibition. He has also exhibited his work in the 8th and 10th Maharajkumar Priyabrata Singh Memorial Art Exhibitions.
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In the midst of ever changing socio-cultural landscape he realises a deep sense of responsibility to revive and preserve this traditional craft, which he says is an integral part of his community’s identity.
As a reflection his artworks are deeply rooted in traditional art forms. He is passionate about research and emphasizes the importance of preserving culture and heritage. During his interaction with Ukhrul Times, he noted a significant challenge he faced with his dissertation topic during his bachelor’s degree.
Wungmeikhan’s dissertation on “Lengcheng House” revealed significant issues with historical documentation. He struggled to find reliable and comprehensive sources, as many were incomplete or contradictory.
“My research into ‘Lengcheng House’ was hindered by the fragmented and unreliable nature of available information. Many sources were unreliable or conflicting, making it hard to construct a coherent historical account. The issue lies in a lack of comprehensive documentation and record-keeping.”
He further explained, “The younger generation lacks access to detailed historical records, while the older generation often struggles with poor recollection and inadequate documentation. This gap is causing us to lose crucial cultural and historical knowledge. Preserving and accurately recording our heritage is essential, and it’s a cause I am deeply passionate about.”
The artist also pointed out that he feels not many people, especially artisans and craftsmen in the Tangkhul community, are aware of such awards. The NEZCC awards are not confined to just sculpting or painting but embrace the whole spectrum of art, such as pottery, folk dances, and all forms of artistic expression. He feels that we should have more representation from our community in Manipur, as other Manipuri artists and artisans seize opportunities while we miss out. Awards and exposures such as these will surely help promote our unique culture and heritage and also assist with preservation efforts.
Currently, Wungmeikhan is funding his education independently, without any sponsorship. This financial strain poses a significant challenge to his future plans. He worries that without sufficient funds, he may not be able to pursue a PhD and conduct the necessary research to preserve Tangkhul cultural heritage. Should his financial situation remain constrained, he might focus on commissioned work to sustain himself. Nevertheless, he remains hopeful that with adequate resources, he can significantly contribute to preserving and advancing Tangkhul arts and culture for future generations.
Wungmeikhan’s success is also attributed to the support from his community. He acknowledges the invaluable assistance from the Tangkhul community, which has been instrumental in reviving wood carving traditions. Additionally, he is grateful for the media personalities who have promoted his work on social media, which has provided him with financial support through commissions and increased visibility.
Wungmeikhan’s journey is a testament to his resilience and dedication to his art. From overcoming early-life challenges to achieving academic and artistic milestones, he remains committed to both preserving and innovating within traditional sculpture. His story highlights the importance of community support and the critical need for preserving cultural heritage.
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